Introducing:
Lola
Lola Luminessence
aka Marcus Lucus
About LOLA
Avant-garde Drag Queen
Semi-Known DRAG ARTIST with small but rabid following
With a penchant for flowers, artistic detailing, subtle face-shifting prosthetics, and extravagant outfits, Lola is known for her imperious stage personality and electrifying slow-motion contortions in performances featuring her mesmerizing arrangements and edgy, off-beat wall projections.
LOLA / MARCUS
Born December 22, 1990
Audio engineer
- By day, Marcus Lucas provides on-call audio and recording technical support for local clubs, theatres, recording studios, and corporate marketing departments
- Living with chronic pain makes Marcus edgy and grumpy in daily life
- Perpetually broke, Marcus is always on-call, always available for his clients, unless Lola has a gig
- Marcus splits his non-earning time between working on his body and working on his stage looks and experiences. He sleeps poorly.
DRAG DESIGNER
Ruth Segal
Partnering with her neighbour, retired seamstress Ruth Segal, Lola designs and creates all her drag looks and personas, hand-painting and detailing every unique look. Not satisfied with Marcus’ face as a canvas, Lola liberally shifts her features with prosthetics and her shape with padding and corsetting to match her intricate visions. She is always proud but never pleased.
PERFOMER
Lola Luminessence
Lola is known for her extravagant costumes, solitary personality, and electrifying contortionist movement, coupled with sharp dance and haunting visuals.
Lola is an enigmatic figure within the city’s LGBTQ+ community and has a fair following on social media, but no real friends in drag, just passing professional acquaintances. She keeps to herself.
Lola started, and continues to pop up, in the world of underground cabaret and burlesque, where she explores darker impulses, incorporating elements of danger, sex, and disgust with contortion-like slow-motion hypnotic movements that indulge the creepier and kinkier side of her performance and projection. She uses the stage as a canvas, but these performances take her months to prepare for, and weeks to recover from.
Marcus lives with chronic pain, but Lola transcends pain by embracing it. Drag is pain. Get over it.
Born on a winter solstice, Marcus/Lola’s identity is shrouded in complexity, as they navigate the challenges of neurodivergence, chronic pain, and maintaining two completely different personas with no family support and few friends or connections. In the prairie town where he grew up, far from the city he now calls home, neither of Marcus’ divorced parents accept his life or care to maintain a relationship with him. His brother actively works on anti-trans political actions.
Lola projects confidence and glamour, but in daily life Marcus clings to, and struggles with, solitude. All of his relationships stem from Lola – Astrid’s sound, Ned’s astral photography, Ruth’s sewing. Marcus’ friendships with Astrid and Ned have become very important to him, but he is afraid to allow that as himself. He also fears his dependence on Ruth, and tries to learn all her secrets. Lola’s reliance on lighting technicians Paul and Farmer to execute her designs makes Marcus very uncomfortable, and he has been teaching himself how to program the lighting, even though he actually loves working with both techs, and would feel bereft to have no reason to call.
Despite Lola’s local renown and charisma, she often grapples with self-doubt and the pressures of maintaining her stylized persona, not the least of which are financial. She does not allow herself to dream of achieving broader recognition in the world of drag after numerous setbacks and competitive behaviour. She doesn’t feel like she fits as a “Queen”. The only thing she acknowledges in common is the compulsion of drag as the means of expression.
Lola sometimes finds herself sidelined from drag circles and clubs, because her music and artistic choices fall well outside of mainstream pop culture. Luckily, her followers are loyal advocates and make sure to pad the audience of any small and medium sized venues she announces as booked. She has become a strangely known-unknown in the city’s underground and queer scenes.
Marcus is starting to find drag to be a bit of a…drag to keep up, but Lola runs the show. The best days are really amazing; the worst make her wonder if it’s worth it. But in her deepest core she knows that “worth it” is an irrelevant concept. Within her something powerful and demanding stirs, growls, claws, and forces its way out. There is no reason. She has found this medium to express the demand from her soul, like a juice press, and nothing else has satiated. She might combust without it. Marcus is the beast Lola rides to freedom.
In the past, Lola has struggled with substance abuse and shallow sexuality, all of which has become unsatisfying and jaded her. Lola’s journey is now marked by a desire to balance her state of being. The allure of the limelight has both empowered and confounded her as she grapples with hidden pain that drives her to explore her own physical and emotional boundaries. She longs for acceptance in a community that doesn’t quite understand her drag, but also resists any efforts to pull her in unless it’s 100% on her own terms.
Lola/Marcus explores the complexities of identity and the power of performance to bridge the gap between the real and the surreal. Lola’s magnetic presence and the enigmatic connection she indulges to bring magic to her movement begin to take on a life of their own.
Daily meditative movement practice has accidentally engaged the Luminality, drawing the protection of Maverick’s Wretches. But now, stagnation makes for boring entanglements. Lola needs to step it up, or she may be out.